A row of five sculptures faces the two-lane state road in front of her house. Each is there for a particular reason. The first piece, the one closest to the road, serves as a landmark and caution sign. It is constructed of “a big old iron with that artificial flower in it and a little pipe holding that flower. It stand there so folks will know to turn into my little part of the dirt road, not take the wrong fork that go down by the spring. It also got to warn people to get away from the edge of the road, that it’s dangerous running off in that gully where the garden is.”