Linda Diane Bennett (Image: Unknown)
Order Custom Prints
All Quiltmakers
1955–1988

Linda Diane Bennett

About

During her brief life, Linda Diane Bennett, granddaughter of Delia Bennett, created some of Gee’s Bend’s most elegant quilts. She descends from a line of accomplished quilters, including her grandmother, Delia Bennett, and her mother, Ella Mae Irby, who, in a 1999 interview, described her daughter.

Linda Diane Bennett was my second child. She was a deputy sheriff working at Camden Courthouse. Come home and piece her quilts, lay them across her lap, and quilt them. I don’t know how she did that. Wasn’t a wrinkle in it. Didn’t use no horse, that’s the way she did it—right across her knee. Come home, you don’t even know she there, just back there piecing them quilts. Mama taught her how to do it. That’s who taught me, too: Mama. We’d piece us into the night and then go to quilting. Learned to do it without a frame.

Linda Diane Bennett’s work is in the permanent collection of The Metropolitan Museum of Art and the Virginia Museum of Fine Arts.

Cosmologies from the Tree of Life: Art from the African American South

Cosmologies from the Tree of Life: Art from the African American South

This catalogue accompanies the exhibition Cosmologies from the Tree of Life: Art from the African American South, presented at the Virginia Museum of Fine Arts, Richmond, June 8-November 17, 2019.

Read more
My Soul Has Grown Deep: Black Art from the American South

My Soul Has Grown Deep: Black Art from the American South

A new consideration of extraordinary art created by self-taught Black artists during the mid-20th century​. My Soul Has Grown Deep considers the art-historical significance of self-taught Black artists, many working under conditions of poverty and isolation, in the American South. It features paintings and drawings, mixed-media and sculptural works, and quilts, including pieces ranging from the pioneering paintings of Thornton Dial (1928–2016) to the renowned quilts made in Gee’s Bend, Alabama.

Read more
Creation Story: Gee's Bend Quilts and the Art of Thornton Dial

Creation Story: Gee's Bend Quilts and the Art of Thornton Dial

Creation Story explores parallels and intersections in the works of Dial and his fellow Alabamians, the remarkable quilters of Gee’s Bend. In the tradition of African American cemetery constructions and yard art, these artists harness the tactile properties and symbolic associations of cast-off materials in creating an art of profound beauty and evocative power.
Read more
Gee's Bend: The Architecture of the Quilt

Gee's Bend: The Architecture of the Quilt

This book and exhibition are part of a growing family of research projects about the African American community of Gee’s Bend, Alabama, and its quilts. Surrounded on three sides by a river, Gee’s Bend developed a distinctive local culture and quilt design aesthetic. In 2002 the inaugural exhibition The Quilts of Gee’s Bend documented these quiltmaking achievements. Expanding upon that initial exhibition and its accompanying publications, Gee’s Bend: The Architecture of the Quilt offers a deeper look into the women and their art, and a more focused investigation into the nature and inspirations—and future—of the Gee’s Bend quilt tradition.

Read more
Gee's Bend: The Women and Their Quilts

Gee's Bend: The Women and Their Quilts

Gee’s Bend quilts carry forward an old and proud tradition of textiles made for home and family. They represent only a part of the rich body of African American quilts. But they are in a league by themselves. Few other places can boast the extent of Gee’s Bend’s artistic achievement, the result of both geographical isolation and an unusual degree of cultural continuity. In few places elsewhere have works been found by three and sometimes four generations of women in the same family, or works that bear witness to visual conversations among community quilting groups and lineages. Gee’s Bend’s art also stands out for its flair—quilts composed boldly and improvisationally, in geometries that transform recycled work clothes and dresses, feed sacks, and fabric remnants.

Read more
Cosmologies from the Tree of Life: Art from the African American South

Cosmologies from the Tree of Life: Art from the African American South

Virginia Museum of Fine Arts
June 8, 2019 to November 17, 2019

As embodiments of the African American experience and cultural legacies, the works of art featured in Cosmologies from the Tree of Life: Art from the African American South are rooted in African aesthetic legacies, familial tradition, and communal ethos. Previously marginalized as “folk or self-taught” art, they now take their rightful place as significant contributors to the canon of American Modernism.

Read more
History Refused to Die: Highlights from the Souls Grown Deep Foundation Gift

History Refused to Die: Highlights from the Souls Grown Deep Foundation Gift

The Metropolitan Museum of Art
May 22 - September 23, 2018

This exhibition will present 30 paintings, sculptures, drawings, and quilts by self-taught contemporary African American artists to celebrate the 2014 gift to The Metropolitan Museum of Art of works of art from the Souls Grown Deep Foundation.

Read more
Gee's Bend: The Architecture of the Quilt

Gee's Bend: The Architecture of the Quilt

Museum of Fine Arts, Houston
June 4 – September 4, 2006

"Gee's Bend: The Architecture of the Quilt" features seventy spectacular quilts made by four generations of women in Gee's Bend, a small, isolated African American community in southwest Alabama. With bold improvisation of traditional quilt motifs, these women have created a style all their own. Made between the 1930s and the present, the Gee's Bend quilts’ bright patterns, inventive color combinations, lively irregularities and unexpected compositional variations make them outstanding examples of modern art.

Read more

The Quiltmakers of Gee's Bend

This uplifting, Emmy-winning PBS film tells the modern-day "Cinderalla" story of the quiltmakers of Gee's Bend, Alabama. Artists born into extreme poverty, they live to see their quilts hailed by a The New York Times art critic as "some of the most miraculous works of modern art America has produced."