In this ironic work, Willis dismisses the popular myth that groups so designated (Native Americans, Africans) are savage or uncivilized. The "tribal people" upon whom the painting focuses form a loving and harmonious family, while a nearby group of "civilized" (not identified as, but intended to represent, members of the African American community) engage in a hostile skirmish. A rowboat separating the two groups is a reference to a slave ship that was the original link between them.