Marlene Bennett Jones

A wide-ranging survey of Black art in the American South, from Thornton Dial and Nellie Mae Rowe to the quilters of Gee’s Bend For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, and recycled and cast-off objects that articulate America's painful past--the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era and institutionalized racism. Their works respond to issues ranging from economic inequality, oppression and social marginalization to sexuality, the influence of place and ancestral memory.

This book and exhibition are part of a growing family of research projects about the African American community of Gee’s Bend, Alabama, and its quilts. Surrounded on three sides by a river, Gee’s Bend developed a distinctive local culture and quilt design aesthetic. In 2002 the inaugural exhibition The Quilts of Gee’s Bend documented these quiltmaking achievements. Expanding upon that initial exhibition and its accompanying publications, Gee’s Bend: The Architecture of the Quilt offers a deeper look into the women and their art, and a more focused investigation into the nature and inspirations—and future—of the Gee’s Bend quilt tradition.