1904 - 1972

Annie E. Pettway

    About

    Just a mile or so down from the crossroads that marks the heart of Gee's Bend is the neighborhood known as Sodom. It includes a rare example of a family group with surviving quilts by four generations of artists: Annie E. Pettway (1904-1972), her daughter Nellie Pettway (b. 1940), Annie's granddaughter Rita Mae Pettway (b. 1941), and Rita Mae's daughter, Louisiana Bendolph (b. 1960).

    Rita Mae testifies to the transfer of skills from generation to generation. "I learnt all of what I know from growing up watching my grandmother. I watched her cook, had to learn to wash on a rub board, learn to use a smoothing iron.” In her family, quilting was something done in the winter when all the other jobs were finished, and it was very much a family affair. “Onliest thing we did after everything else was done, we sit by the fireplace in the wintertime and piece up quilts. Me and my grandmama Annie.” She confirms that much of her grandmother's work was done by eye: “She didn't have no pattern to go by; she just cut them by the way she know how to make them.

    Annie E. Pettway’s work is in the permanent collection of the Philadelphia Museum of Art.

    Creation Story: Gee's Bend Quilts and the Art of Thornton Dial

    Creation Story: Gee's Bend Quilts and the Art of Thornton Dial

    Creation Story explores parallels and intersections in the works of Dial and his fellow Alabamians, the remarkable quilters of Gee’s Bend. In the tradition of African American cemetery constructions and yard art, these artists harness the tactile properties and symbolic associations of cast-off materials in creating an art of profound beauty and evocative power.
    Gee's Bend: The Architecture of the Quilt

    Gee's Bend: The Architecture of the Quilt

    This book and exhibition are part of a growing family of research projects about the African American community of Gee’s Bend, Alabama, and its quilts. Surrounded on three sides by a river, Gee’s Bend developed a distinctive local culture and quilt design aesthetic. In 2002 the inaugural exhibition The Quilts of Gee’s Bend documented these quiltmaking achievements. Expanding upon that initial exhibition and its accompanying publications, Gee’s Bend: The Architecture of the Quilt offers a deeper look into the women and their art, and a more focused investigation into the nature and inspirations—and future—of the Gee’s Bend quilt tradition.

    The Quilts of Gee's Bend

    The Quilts of Gee's Bend

    The women of Gee’s Bend—a small, remote, black community in Alabama—have created hundreds of quilt masterpieces dating from the early twentieth century to the present. The Quilts of Gee’s Bend tells the story of this town and its art.

    Gee's Bend: The Women and Their Quilts

    Gee's Bend: The Women and Their Quilts

    Gee’s Bend quilts carry forward an old and proud tradition of textiles made for home and family. They represent only a part of the rich body of African American quilts. But they are in a league by themselves. Few other places can boast the extent of Gee’s Bend’s artistic achievement, the result of both geographical isolation and an unusual degree of cultural continuity. In few places elsewhere have works been found by three and sometimes four generations of women in the same family, or works that bear witness to visual conversations among community quilting groups and lineages. Gee’s Bend’s art also stands out for its flair—quilts composed boldly and improvisationally, in geometries that transform recycled work clothes and dresses, feed sacks, and fabric remnants.

    Souls Grown Deep: Artists of the African American South

    Souls Grown Deep: Artists of the African American South

    Philadelphia Museum of Art
    June 8, 2019 to September 2, 2019

    The Philadelphia Museum of Art presents Souls Grown Deep: Artists of the African American South, an exhibition including paintings, sculptures, and quilts that celebrates the recent acquisition of 24 works from the Souls Grown Deep Foundation.

    The Quilts of Gee's Bend

    The Quilts of Gee's Bend

    Museum of Fine Arts, Houston
    September 6 – November 10, 2002

    "The Quilts of Gee’s Bend" celebrates the artistic legacy of four generations of African-American women from a small, historically all-black community in rural southern Alabama. This exhibition of over sixty extraordinary quilts that were made between 1930 and 2000 showcases a body of work that is bold, spirited, moving, and hailed by Michael Kimmelman, in The New York Times, as “some of the most miraculous works of art America has produced.”

    The Quiltmakers of Gee's Bend

    This uplifting, Emmy-winning PBS film tells the modern-day "Cinderalla" story of the quiltmakers of Gee's Bend, Alabama. Artists born into extreme poverty, they live to see their quilts hailed by a The New York Times art critic as "some of the most miraculous works of modern art America has produced."